**Links to**: [[Song]], [[Marx]], [[Music]], [[Bucal polycomputing]], [[002.1 Modulations]], [[Collective intentionality]]. # M͓̽u͓̽s͓̽i͓̽c͓̽ ͓̽a͓̽s͓̽ ͓̽p͓̽e͓̽r͓̽m͓̽a͓̽n͓̽e͓̽n͓̽t͓̽ ͓̽r͓̽e͓̽v͓̽o͓̽l͓̽u͓̽t͓̽i͓̽o͓̽n͓̽ >“Today, with all our technology, and because of it, we stand once more in the magical acoustical sphere of pre-literate man. Politics have become musical; music has become politics. Government has become entertainment, and vice versa. Commerce has become incantation and magical gesture. Science and magic have married each other. Technology and the arts meet and mingle.” > >M. McLuhan, “Space, Time and Poetry,” in _Unbound 13_. ed., W. Terrence Gordon. (Corte Madera, CA.: Ginko, 2005), 9), citation found in A. Chrystall’s PhD dissertation, 2008. This section is still to be written. #todo Most arguments/findings related to this concept are in [[002.1 Modulations]] and [[Song]]. _A possible outline:_ ### Marx and music Music becoming increasingly commodified (Adorno); Music and/as work (Rekret); The rhythms of the factory, of metabolics, etc. (Techno); The Last Angel of History (Akomfrah, Eshun); Regaining music/revolution through revolution/music.